{"title":"Inlandia Institute","description":null,"products":[{"product_id":"in-the-sunshine-of-neglect-defining-photographs-and-radical-experiments-in-inland-southern-california-1950-to-the-present-1","title":"In the Sunshine of Neglect: Defining Photographs and Radical Experiments in Inland Southern California, 1950 to the Present","description":"\u003cp\u003e\u003cstrong\u003eFrom the title essay:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eInland Southern California occupies the margin between two mythical landscapes of the American West—the wide-open spaces of the Basin and Range and the strange dream of Los Angeles. It is set between L.A.’s distillation of golden structures on hardscrabble streets and 500,000 square miles of saltbush, sage, and aspiration. It contains a little of both, and a lot of nothing at all.\u003c\/p\u003e\r\n\u003cp\u003eAt its core, \u003cem\u003eIn the Sunshine of Neglect\u003c\/em\u003e is [a book] about place and experiment. It is about artists using the rapidly developing spaces of Inland Southern California as a tabula rasa, a laboratory to dissect new subjects and deploy new approaches. In these interstitial spaces, this zone of neglect on the periphery of Los Angeles, artists have transformed extremity into new practice, banality into discovery. Some have been engaged here for long durations—even lifetimes, while others have cycled through like grad students visiting a research lab down the hall. But the entire current generation is influenced by the new avenues of photography established several of the artists—Robert Adams, Lewis Baltz, Joe Deal, Judy Fiskin, Anthony Hernandez, Sant Khalsa, Laurie Brown, and others—not long ago in the West, this part of the West.\u003c\/p\u003e\r\n\u003cp\u003eIn Inland Southern California, photographers criss-cross a landscape so stripped down, so newly manufactured that treasures can be found right at the surface, every surface. Most of [the] artists do not define their task as delving into development, decay, or decline. For the most part, they seek to simply look at the wide range of what is, as if looking can ever be simple. But it’s fruitful to undertake the task in a place especially exposed and revealing. A place founded on faith in constant expansion, regardless of cultural or ecological consequences. A place willing to consistently erase the present for a stake in an imagined future. In short, a place that nakedly stands in for the Western World.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eDouglas McCulloh\u003c\/strong\u003e is a photographer, writer, and curator based in Southern California. His work has shown internationally in more than 250 exhibitions including Victoria and Albert Museum, London; Central Academy of Fine Arts, Beijing; Musée de l’Elysée, Lausanne; Musée Nicéphore Niépce, France; La Triennale di Milano, Italy; Centro de la Imagen, Mexico City; Instituto de Cultura, Barcelona; Art Center College of Design, Los Angeles; Southeast Museum of Photography, Florida; Contemporary Arts Center, New Orleans; Smithsonian Institution, Washington, DC; and The Cooper Union School of Art, New York. He has authored six books including \u003cem\u003eThe Great Picture: Making the World’s Largest Photograph\u003c\/em\u003e (Hudson Hills Press, New York), part of the Legacy Project Collaborative. The most noted of his curatorial projects is \u003cem\u003eSight Unseen: International Photography by Blind Artists\u003c\/em\u003e, the first major survey of photography by blind artists, which has traveled to fifteen museums in five countries.\u003c\/p\u003e","brand":"Inlandia Institute","offers":[{"title":"Default Title","offer_id":41321634660502,"sku":"9781732403222","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0477\/8731\/1254\/products\/img_proxy_3c163937-8c20-4685-9ca6-4b1c70d199b4.jpg?v=1642160338"},{"product_id":"henry-l-a-jekel-architect-of-eastern-skyscrapers-and-the-california-style-1","title":"Henry L.A. Jekel: Architect of Eastern Skyscrapers and the California Style","description":"\u003cp\u003e\u003cspan\u003eFrom the introduction: \u003c\/span\u003e\u003cspan\u003eIf anyone ever embodied the great Cass Gilbert’s definition of an architect, it was Henry L. A. Jekel. From his seventeenth year to his death in 1960, he engaged architecture “with enthusiastic interest in every detail,” adopting it as his muse and his art form. Given his commitment and talent, Jekel emerged rapidly from the venerable apprenticeship ranks of Buffalo, New York, and New York City, placing him in the cohort of some of the greats of architecture at the turn of the twentieth century.   Like many of those designers, Jekel quickly proved himself an architectural whirlwind. In 1899, the Buffalo dynamo came roaring into New York City, intent on “nothing less than complete success.”   Philadelphia and Washington, D.C., received him next, where he designed and built the first steel-skeleton skyscrapers in those cities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe collapse of Jekel’s Philadelphia enterprise in 1904 and the dissolution of his fledgling skyscraper design firm, H. L. A. Jekel Company, Architects, due to his investors’ overestimation of the Philadelphia market for high-rise buildings, turned his plans in a different direction. In 1909, Henry Jekel felt the air and sunshine of Southern California for the first time. In Riverside, the Eastern whirlwind succumbed to the allure of navel orange blossoms, palm trees, and the romance of Mission Revival architecture. After a short sojourn in Buffalo, in 1921, he and his wife, Amanda, finally resettled in Riverside for good.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn May 1960, at the end of his long second act in Riverside, Jekel’s obituary read, “Henry L. A. Jekel, famed architect, dies at 84.” For more than thirty-five years, Henry Jekel’s finely crafted houses and complementary landscapes had found favor with residential and commercial clients throughout the Riverside region. A creative engine of production and master of all variants of 1920s romantic picturesque California Style, Jekel’s docket was never empty of projects. For those reasons alone, long-time residents understood the full significance of his death for the future of Riverside architecture. Many more, however, especially the new postwar arrivals did not, and over time, as the modern took hold, fewer and fewer people, either in Riverside or the East Coast, knew much about Jekel or his measure as a man and architect. By 2011, with many of his finest architectural works disappearing before our eyes, we knew it was time to tell his remarkable story. We were urged on in our quest by preservationists, local historians, and Jekel homeowners, all of whom shared our mission to enhance and preserve Henry L. A. Jekel’s architectural legacy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eH. Vincent Moses, PhD\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and \u003cstrong\u003eCatherine E. Whitmore, MA\u003c\/strong\u003e, live in Riverside, California, where they own and operate Vincate \u0026amp; Associates Historical Consultants, specializing in historic preservation and museums. As director of the Riverside Metropolitan Museum, Moses supervised the transfer of the National Historic Landmark Harada House to the City of Riverside and served as consulting museum historian for the planning and development of California Citrus State Historic Park. Cate worked as Curator of Anthropology for the Riverside Municipal Museum and then as Curator of History for the Riverside County Regional Parks and Open Space District, where she prepared museums at Jensen-Alvarado Historic Ranch and Banning Ranch and Wagon Museum. Vince and Cate acted as Senior Coordinating Editors of Myth \u0026amp; Mirage: Inland Southern California, Birthplace of the Spanish Colonial Revival, exhibition catalog for the Riverside Art Museum’s PST LA\/LA project funded by the J. Paul Getty Foundation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Inlandia Institute","offers":[{"title":"Default Title","offer_id":41321642492054,"sku":"9780997093278","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0477\/8731\/1254\/products\/img_proxy_1cc180b0-9fb4-4675-9801-9e4ef469df0d.jpg?v=1642160540"},{"product_id":"facing-fire-art-wildfire-and-the-end-of-nature-in-the-new-west-1","title":"Facing Fire: Art, Wildfire, and the End of Nature in the New West","description":"\u003cp\u003e\u003cspan\u003eFire as omen and elemental force, as metaphor and searing personal experience—these are the subjects Douglas McCulloh explores in \u003cem\u003eFacing Fire: Art, Wildfire, and the End of Nature in the New West.\u003c\/em\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCalifornia’s diverse ecologies are fire-prone, fire-adapted, even fire-dependent. In the past two decades, however, West Coast wildfires have exploded in scale and severity. There is a powerful consensus that we have entered a new era—nature unbalanced, the end of the stable world. Douglas McCulloh has assembled the work of 16 artists who bring us incendiary images from active fire lines and psychic burn zones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTogether the 16 artists face fire, sift its aftermath, struggle with its implications. Throughout is the uneasy sense that wildfire is a stand-in, a site of displacement for more immaterial fears, for the amorphous anxieties of the age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book is published in conjunction with an exhibition of the same name held at UCR ARTS: California Museum of Photography February 22–August 9, 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan\u003eDouglas McCulloh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a photographer, writer, and curator based in Southern California. His work has shown internationally in more than 250 exhibitions including Victoria and Albert Museum, London; Central Academy of Fine Arts, Beijing; Musée de l’Elysée, Lausanne; Musée Nicéphore Niépce, France; La Triennale di Milano, Italy; Centro de la Imagen, Mexico City; Instituto de Cultura, Barcelona; Art Center College of Design, Los Angeles; Southeast Museum of Photography, Florida; Contemporary Arts Center, New Orleans; Smithsonian Institution, Washington, DC; and The Cooper Union School of Art, New York. He has authored seven books including \u003cem\u003eThe Great Picture: Making the World’s Largest Photograph\u003c\/em\u003e (Hudson Hills Press, New York), part of the Legacy Project Collaborative. The most noted of his curatorial projects is \u003cem\u003eSight Unseen: International Photography by Blind Artists\u003c\/em\u003e, the first major survey of photography by blind artists, which has traveled to fifteen museums in five countries.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Inlandia Institute","offers":[{"title":"Default Title","offer_id":41321677553814,"sku":"9781732403291","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0477\/8731\/1254\/products\/img_proxy_343e1fe0-ad1f-472f-a9c1-5780537fb7bb.jpg?v=1642161810"},{"product_id":"more-dreamers-of-the-golden-dream","title":"More Dreamers of the Golden Dream","description":"\u003cp\u003e\u003cspan\u003eWhy do story and photograph work so well together? How is it that a wonderful story told to me on a front porch can be enhanced so much by black and white photography in a way that the human brain responds viscerally and takes in the entire world?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen I first stepped onto the driveway at 4289 Michael Street, my life was changed by Alberta and General Sims, the royalty who held court at the community gatherings in that ribbon of cement leading to a carport under which the stories of six generations flowed out with laughter and shouting. Once Alberta said to me, \"You know, everything stays in your rememory.\" And when my daughters were born, and Dwayne Sims and I brought them to the driveway, they learned what true loyalty and kinship meant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll of the places in \u003cem\u003eMore Dreamers of the Golden Dream \u003c\/em\u003emean that to the people whose stories and images are here — whether it's the iconic Zacatecas Café and the Medina family that feeds thousands; the parishioners at Our Lady of Guadalupe tracing ashes onto the foreheads of the faithful; the boxers in the ring housed inside the old kindergarten building of Lincoln School, once Irving School, where Alberta stood with her friend Susan Strickland; the sidewalk in front of Orange Valley Lodge #13 set with folding chairs and narrative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese dreamers and their dreams are eternal, as long as there is smoke and laughter, hymnals and ringing, hands lifted to spirits and hands holding disks of ground corn, when all feels golden. As long as there are hands slamming dominoes onto a shaking table, lacing gloves and considering how to duck and move, and someone calling out a story, we are eternal. Let the circle be unbroken, as the new generations of dreamers walk on our sidewalks, enter into our doors, and tell their own stories of rememory and love.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSusan Straight\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was born in Riverside, California, where she still lives with her family. Her memoir, \u003cem\u003eIn the Country of Women \u003c\/em\u003e(Catapult Books, 2020) was a national bestseller. It was a Best Book of the Year by NPR and CodeSwitch, longlisted for the Carnegie Medal for Excellence, and a Finalist for the Clara Johnson Prize for Women's Literature. Her new novel, \u003cem\u003eMecca\u003c\/em\u003e, will be published by Farrar, Straus and Giroux in March 2022. She has published eight novels — \u003cem\u003eHighwire Moon\u003c\/em\u003eand \u003cem\u003eI Been in Sorrow's Kitchen and Licked Out All the Pots\u003c\/em\u003ewere national bestsellers, and her trilogy of one family's journey from slavery to California includes \u003cem\u003eA Million Nightingales, Take One Candle\u003c\/em\u003e, and \u003cem\u003eBetween Heaven and Here\u003c\/em\u003e. She has been a Finalist for the National Book Award and the National Magazine Award; she received the Edgar Prize for Best Mystery Story, the O Henry Prize, the Lannan Prize, and a Guggenheim Fellowship. Her fiction and essays have appeared in \u003cem\u003eThe New Yorker, The Guardian, The New York Times, The Los Angeles Times, Harper's, The Believer, O Magazine, Real Simple, Alta, Reader's Digest, Family Circle\u003c\/em\u003eand other journals. She is Distinguished Professor of Creative Writing at UC Riverside.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDouglas McCulloh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is an artist, writer, and senior curator at the California Museum of Photography. His work has been shown nationally and internationally in more than 250 exhibitions including Victoria and Albert Museum, London; Central Academy of Fine Arts, Beijing; Centro de la Imagen, Mexico City; Art Center College of Design, Los Angeles; Contemporary Arts Center, New Orleans; and Smithsonian Institution, Washington D.C. McCulloh's most recent books are \u003cem\u003eIn the Sunshine of Neglect \u003c\/em\u003e(Inlandia Institute), and \u003cem\u003eThe Great Picture: Making the World's Largest Photograph\u003c\/em\u003e(Hudson Hills Press, New York). Exhibitions curated by McCulloh have shown in a range of venues including Kennedy Center for the Arts, Washington D.C.; Canadian Museum for Human Rights, Winnipeg; Flacon Art Center, Moscow; Center for Visual Art, Denver, Colorado; Manuel Álvarez Bravo Center, Oaxaca; Sejong Center, Seoul, South Korea; and, of course, UCR ARTS: California Museum of Photography. He is an honors graduate of the University of California, Santa Barbara and holds an M.F.A. from Claremont Graduate University.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDelphine Sims\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a Ph.D. candidate in the History of Art Department at UC Berkeley where she studies the history of photography in the Americas. In 2019, she was the Mellon Curatorial Intern at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) during which time she helped organize the exhibitions \u003cem\u003eUnlimited: Recent Gifts from the William Goodman and Victoria Belco Collectio n\u003c\/em\u003eand \u003cem\u003eAbout Things Loved: Blackness and Belonging\u003c\/em\u003e. In 2018, she was a curatorial intern at the San Francisco Museum of Modern Art in the photography department. Previously, Delphine was a curatorial assistant at the Santa Barbara Museum of Art. She has worked on numerous museum exhibitions and contributed writings to several publications including \u003cem\u003eLaurie Brown: Earth Edges\u003c\/em\u003e(California Museum of Photography), \u003cem\u003eNew Time: Art and Feminisms in the Twenty-first Century\u003c\/em\u003e(BAMPFA); \"Sprouts from the Concrete\" (\u003cem\u003eMatte\u003c\/em\u003emagazine), and \"Where We Art\" (\u003cem\u003eThe Believer \u003c\/em\u003emagazine). Delphine, the daughter of Susan Straight, was born in Riverside, California.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Inlandia Institute","offers":[{"title":"Default Title","offer_id":41321718710422,"sku":"9781955969000","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0477\/8731\/1254\/products\/img_proxy_d6e619ae-27cd-42b8-b7c9-eda157ec1f78.jpg?v=1642163740"},{"product_id":"empire-photographs-and-essays","title":"EMPIRE: Photographs and Essays","description":"\u003cp\u003eIn this book of photographs and essays, noted visual artist Lewis deSoto explores his birthplace and ancestral Cahuilla homeland, the \"marvelous and abject\" landscape of Southern California's Inland Empire. Sixty intimate photos capture the paradoxes of the region's deserts, lushly manicured lawns, freeways, and inland sea. Punctuating these single-frame images are panoramas of landscapes that capture infinitudes of detail. DeSoto's captions unpack these panoramic shots, revealing their geologic, social, and cultural significance.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eBut beyond captions, \u003cem\u003eEmpire\u003c\/em\u003e marks deSoto's emergence as a nonfiction writer. Eight essays meditate on a youth spent in regions including San Bernardino, mountainous Highway 18, Rancho Cucamonga, Riverside, and Palm Springs. DeSoto's elegant prose marks these places as locales of rich history, industrialization, sharp social strata, as well as sites of deep personal transformation. Taken as a whole, this is the work of an established artist and the dawn of a new literary voice: one that both assembles, piece by piece, a picture of a specific place, and deconstructs the complexities of home\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAuthor \u003cstrong\u003eLewis deSoto\u003c\/strong\u003e, an artist of Cahuilla ancestry, grew up in Southern California's Inland Empire. His photography, sculpture, and visual and sound installations have been exhibited across the United States and throughout the world. His work is included in major museum, corporate, and private collections, including the Museum of Contemporary Art, Los Angeles; the Museum of Modern Art in New York; the Seattle Art Museum; and the Museum of Contemporary Art San Diego. DeSoto holds an MFA from Claremont Graduate University and is a professor of art at San Francisco State University.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eForeword by \u003cstrong\u003ePaul Chaat Smith\u003c\/strong\u003e, the author of \u003cem\u003eLike a Hurricane: The Indian Movement from Alcatraz to Wounded Knee\u003c\/em\u003e (with coauthor Robert Allen Warrior) and \u003cem\u003eEverything You Know about Indians Is Wrong\u003c\/em\u003e. Smith is a member of the Comanche Tribe of Oklahoma. He joined the Smithsonian's National Museum of the American Indian in 2001, where he serves as associate curator.\u003c\/p\u003e","brand":"Inlandia Institute","offers":[{"title":"Default Title","offer_id":46817433780541,"sku":"9781597143349","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0477\/8731\/1254\/files\/EMPIRE_1.jpg?v=1695236040"},{"product_id":"desert-forest-life-with-joshua-trees","title":"Desert Forest: Life with Joshua Trees - Paperback","description":"\u003cp\u003e\u003cem\u003eDesert Forest: Life with Joshua Trees\u003c\/em\u003e focuses on the plight of the Joshua tree and its Mojave Desert habitat, threatened by climate change, development, wind and solar energy industries, and wildfires.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWritten by leading experts from across disciplines, this is the only comprehensive book on Joshua trees covering Joshua tree ecologies and socio-political histories through a true interdisciplinary engagement that will be accessible and interesting to a wide audience. Part of Getty PST Art: Art and Science Collide. Produced by MOAH Lancaster with Inlandia Institute.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSant Khalsa\u003c\/strong\u003e is an artist and activist whose artworks are widely exhibited, published, and collected by museums including the Los Angeles County Museum of Art and Center for Creative Photography in Tucson. She is a Professor of Art, Emerita at California State University, San Bernardino and lives in Joshua Tree.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr. Juniper Harrower \u003c\/strong\u003especializes in multispecies entanglements under climate change, working at the intersection of ecology and art practice. Her artwork is exhibited internationally, and she publishes across disciplines. She directed the UCSC Art+Science Initiative, taught art at UC Berkeley, and is an Assistant Professor of Studio Art at Reed College. \u003c\/p\u003e\n\u003cp\u003eFeaturing artists:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLinda Alterwitz\u003cbr\u003eMarthe Aponte\u003cbr\u003eDiane Best\u003cbr\u003eDarin Boville\u003cbr\u003eMatthew Brandt\u003cbr\u003eFred Brashear Jr.\u003cbr\u003eBill Leigh Brewer\u003cbr\u003eClaudia Bucher\u003cbr\u003eNancy Baker Cahill\u003cbr\u003eGerald Clarke\u003cbr\u003eMaryrose Crook\u003cbr\u003eTorreya Cummings\u003cbr\u003eJames M. Dailey\u003cbr\u003escott b. davis\u003cbr\u003eDani Dodge\u003cbr\u003eJessie Homer French\u003cbr\u003eEdgar Fabián Frías\u003cbr\u003eRob Grad\u003cbr\u003eJennifer Gunlock\u003cbr\u003eChristine Huhn\u003cbr\u003eJetsonorama (Chip Thomas)\u003cbr\u003eJennifer Kane\u003cbr\u003eYulia Kazakova\u003cbr\u003eCasey Kiernan\u003cbr\u003eStevie Love\u003cbr\u003eRebecca Lowry\u003cbr\u003eMeg Madison\u003cbr\u003eAline Mare\u003cbr\u003ePaloma Menéndez\u003cbr\u003eEric Merrell\u003cbr\u003eChelsea Mosher\u003cbr\u003eChris McCaw\u003cbr\u003eDaisuke Okamoto\u003cbr\u003eMichelle Robinson\u003cbr\u003eCara Romero\u003cbr\u003eCatherine Ruane\u003cbr\u003eEd Ruscha\u003cbr\u003eKim Stringfellow\u003cbr\u003eRuth Wallen\u003cbr\u003eJennifer Valenzuela\u003cbr\u003eDanielle Giudici Wallis\u003cbr\u003eE.O. Hoppé (1927)\u003cbr\u003eCarleton Watkins (1870's)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEssay Authors:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLynn Sweet, Plant Ecologist, University of California, Riverside\u003cbr\u003eChris Smith, Joshua Tree Genome Project\u003cbr\u003eJeremy Yoder, Evolutionary Biologist, California State University, Northridge\u003cbr\u003eCameron Barrows, Research Ecologist, University of California Riverside (retired)\u003cbr\u003eDaniel Hastings, PhD student at UC Santa Cruz\u003cbr\u003eSean Milanovich, Historian, Vice President of the Native American Land Conservancy, Member of Cahuilla Tribe\u003cbr\u003eBrendan Cummings, Attorney, Conservation Director, Center for Biological Diversity, Author of the petition to protect Joshua trees under California's endangered species act\u003cbr\u003eTyler Green, historian, critic and author, whose work examines the ways in which artists and their work have engaged with and impacted national histories\u003cbr\u003eShana Nys Dambrot, art critic, art historian, curator, author, and Arts Editor for the L.A. Weekly\u003cbr\u003eChris Clarke, Environmental Writer and Podcaster \"90 Miles from Needles,\" formerly California Desert Associate Director for the National Park Conservation Association, and KCET Environment Editor\u003cbr\u003eRuth Wallen, Art faculty at UC San Diego, eco artist and writer\u003cbr\u003eRuth Nolan, M.F.A., Mojave Desert author, Professor of Creative Writing at College of the Desert, and former wildland firefighter\u003cbr\u003eGregory Levine, Chair UC Berkeley Art\u003cbr\u003eGeary Hund, Board member of MDLT and Transition Habitat Conservancy\u003cbr\u003eRebecca Lowry of JTLAB\u003cbr\u003eKelly Herbinson, Executive Director, Mojave Desert Land Trust\u003cbr\u003eDarin Boville, photographer and writer\u003cbr\u003eJames W. Cornett, ecologist and writer\u003cbr\u003eAlexandra Jonassen, Technical Assistant, Western Hotel Museum, City of Lancaster\u003cbr\u003eCane West, National Park Service - Archaeology, Anthropology and History, Park Ranger\u003cbr\u003eAndi Campognone, Manager\/Director, Museum of Art and History (MOAH), Lancaster, CA\u003cbr\u003eLauren Lien, Researcher and writer, specializing in archaeology, local history, environmental conservation, and cultural heritage.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Inlandia Institute","offers":[{"title":"Default Title","offer_id":49328189931837,"sku":"9781955969314","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0477\/8731\/1254\/files\/9781955969314ita.jpg?v=1725467576"},{"product_id":"some-architect-peter-j-webers-enduring-creativity-1","title":"Some Architect: Peter J. 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