First in a trilogy of texts, Between Grammars is a book-length narrative poem composed of prose-fragments that investigates the boundaries between books, language, and the bodies that read and write them. Within these pages, language becomes a living organism as "Grammars cohere, lap, unfold. A slanting field upon the other." This text explores the porous architectures built between people and their vocabulary — how we meet inside these architectures and what we're able to exchange there. As we read, "Language tides the skinline," collapsing the distinctions between self and other.

Danielle Vogel is a poet, interdisciplinary artist, and professor based in the Connecticut River Valley where she teaches at Wesleyan University and makes work at the intersections of queer and feminist ecologies, somatics, and ceremony. Her hybrid poetry collections include A Library of Light (Wesleyan 2024), The Way a Line Hallucinates Its Own Linearity (Red Hen 2020), Edges & Fray (Wesleyan 2020), and Between Grammars (Noemi 2015). Her work also appears in anthologies including, The Book: 101 Definitions, edited by Amaranth Borsuk (Anteism 2021), A Forest on Many Stems (Nightboat 2021), edited by Laynie Brown, and Counter-Desecration: A Glossary for Writing Within the Anthropocene (Wesleyan 2018), edited by Linda Russo and Marthe Reed.

"I felt very much in an experience in Between Grammars, as if I was relearning to read, but not just inside my own mind. I encountered reading. Between Grammars does something no other book does: it 'floods' you with an image of itself. It moves through itself as a wave. You as the reader are in the wave too. I think this is miraculous." - Amina Cain

"Because 'a body loosens itself across an alphabet,' because 'an absent word unsettl[es] the collarbone's concavity,' because 'the vowels layering, breathe,' Danielle Vogel's ravishing and profound work resides in one as a thrilling visceral experience. Never has a reading encounter felt so fully embodied—the vibration and motions and shapes of language inside, transforming the day, long after the book is closed." - Carole Maso

"You arrive at that place between grammars to find enabled an occasion of sound forms, even as the continuity of vision tells you were meant to emerge as another's body. So your speech, prompted by that of the poet, breaks the surface into a unit of lines compressed to convey the encounter of thought animated as a 'receptacle of noise,' now pressed against your measured edge, first at the skin, then along the oblique dissolution of the person you were, divided now by the reader you've become: against the undertow, letter's liability, knob of your spine, an overflowing. Such allegiance to the dubious figure receded and re-emerging herein makes the duration of these pages a singular affirmation. Syllables incline the volume, effervescence of your tongue over these markings, expectant as lips are to arrival." - Roberto Tejada

"What is the relationship between book and body? This lovely text, both spare and voluminous, invokes an intimate register in which letters become liquid garments. Vogel adeptly 'lets the ledge of a sentence wax.' Her white space brims. Her parentheses cup breath to your ear. This book invites you to stand in an alphabetic current, abandon the distance between reader and text, pet words with your eye. Between Grammars transcribes lament for the limits of language and simultaneously conveys a hopefulness for poetry as an innately connective impulse." - Laynie Brown