Kellyanne Conway, Donald Trump, Rudy Giuliani, Q-Anon, Fox News, etc., etc., etc. have kidnapped the last century of intellectual thought and philosophical investigation: poststructuralism, quantum physics, deconstruction, the current "crisis" in "nonfiction"-journalism- media-"truthiness."

If the perceiver, by his very presence, alters what's perceived, Steve Bannon, Vladimir Putin, Vladislav Surkov (performance-artist-turned-Putin-strategist), et al. have quite consciously created—are all still quite consciously creating on a day-by-day basis—a universe in which nothing is true and therefore public discourse is, in effect, over. Dominion Voting Systems was founded to rig elections for Hugo Chavez; Italian space lasers modified voting machine data; the FBI staged the January 6 attack: this is a strategy that goes back at least as far as Dostoevsky's underground man. God is dead, so everything is permitted. Or is it?

How We Got Here - provocative, accessible, persuasive, and addictive - is a crucial intervention in which David Shields argues that Melville plus Nietzsche divided by the square root of (Allan) Bloom times Žižek (squared) equals Bannon.

David Shields is the internationally bestselling author of twenty-five books, including Reality Hunger (which, in 2020, Lit Hub named one of the most important books of the past decade), The Thing About Life Is That One Day You'll Be Dead (New York Times bestseller), Black Planet: Facing Race During an NBA Season (finalist for the National Book Critics Circle Award and PEN USA Award), Remote: Reflections on Life in the Shadow of Celebrity (PEN/Revson Award), and Other People: Takes & Mistakes (NYTBR Editors' Choice). The Very Last Interview was published by New York Review Books in 2022.

The recipient of a Guggenheim fellowship, two NEA fellowships, and a New York Foundation for the Arts fellowship, Shields—a senior contributing editor of Conjunctions—has published essays and stories in New York Times Magazine, Harper's, Esquire, Yale Review, Salon, Slate, Tin House, A Public Space, McSweeney's, Believer, Huffington Post, Los Angeles Review of Books, and Best American Essays. His work has been translated into two dozen languages.

The film adaptation of I Think You're Totally Wrong: A Quarrel, which Shields co-wrote and co-stars in, was released in 2017 and is now available as a DVD on Prime Video.

Shields wrote, produced, and directed Lynch: A History, a 2019 documentary about Marshawn Lynch's use of silence, echo, and mimicry as key tools of resistance (streaming on Prime, Peacock, AMC, Sundance, Apple, and many other platforms).

I'll Show You Mine, a feature film that Shields co-wrote and was produced by Mark and Jay Duplass, was released in 2023 and is now available on Prime and several other platforms.

A new film, How We Got Here, which Shields wrote and directed and which argues that Melville plus Nietzsche divided by the square root of (Allan) Bloom times Žižek (squared) equals Bannon, is streaming now on Prime and several other platforms; the companion volume is forthcoming in September 2024.

"David Shields's genius for deploying the words of others to create wholly original essays is on brilliant display. The connective tissue of his comments is key, guiding us as we jump from Socrates to Luther to Melville to Nietzsche, all the way to Tucker Carlson and Trump. Both erudite and accessible, classical and pop, How We Got Here stitches together the threads of thought that have landed us in the nihilistic abyss of today. Illuminating.'" - Michael Greenberg

"I'm grateful for this brilliant book, which sagely counterposes the massive irony of twentieth-century philosophy with the way it's been put to use. Now that we know we're here, the next question is how we get out of here." - Charles Baxter

"David Shields has written another sneakily essential book. This one is a murder mystery. Truth is dead, and Shields is the forensic detective on the case. He's got a notebook full of clues and no end of suspects. The question is, can he get a conviction?" - Nicholas Carr

"A diagram of the origins and direction of our current intellectual quagmire. Kafka wanted to read only books that were on axe to break the frozen sea within us. Shields's book is an axe for the frozen sea that surrounds us." - Stephen Marche

"I love this provocative, unsettling book, which is both prose poem and polemic. In the originality of its form, it enacts the very anxiety about language, and how it's deployed, that it takes as its subject." - Vauhini Vara